James Hull (Lots 99-110)
Introduction
Hull aptly summed up his work as ‘a tension of objects in space’. And at his solo ‘come-back’ exhibition at Adrienne Resnick Gallery in 1989 Resnick described him as ‘a giant, both physically and as an artist’.
Hull’s reputation flourished in the 1950s, when he established himself as one of the leading abstract painters of the post-War years in Britain. His first one-man exhibition was at the Brook Street Gallery in 1949 where Herbert Read gave the opening address. In 1951 he designed a mural for the Dome of Discovery at the Festival of Britain and started showing regularly with Gimpel Fils (1951-56). Elsewhere in London he exhibited with the Redfern Gallery and at the ICA and took part in the renowned This is Tomorrow exhibition at the Whitechapel Art Gallery in 1956; the same year Gimpel held a joint exhibition of Hull and Roger Hilton’s work. Abroad he showed with Galerie de France, Paris, Passedoit Gallery, New York (together with Peter Lanyon and William Gear), and at the Carnegie Institute, Pittsburgh.
But in 1960 Hull turned his back on painting full time after winning a competition to design the interior of the Daily Mirror building. He spent the next ten years as a full-time design consultant for the International Publishing Corporation (IPC), before moving with his family to Ibiza where he designed jewellery. After the tragic death of his daughter in a car accident in the early 1970s he left to embark on a solo travel odyssey. Over the next few years he held down a variety of jobs, including as a consultant designer for NASA’s space shuttle building in the USA. Returning to London in 1980 he took up painting once more. It took him a few years to re-establish himself, but by the end of the decade his work was starting to get traction once again, first at the Strickland Gallery in 1986, and then with Adrienne Resnick Gallery and Whitford & Hughes in 1989. His death a year later was all too premature.
99
JAMES HULL (BRITISH 1921-1990)
DESIGN FOR A THEATRE SET; THE PAPS OF JURA; STUDY OF A HOUSE
(i) signed and dated HULL 46 upper right; (ii) signed Hull... lower right; (iii) signed HULL upper left
(i & iii) gouache and pencil; (ii) gouache and wash and pen and ink
(i) 32.5 x 33cm; 12 3/4 x 13in; (ii) 20 x 39cm; 8 x 15 1/4in; (iii) 38.5 x 50cm; 15 x 19 3/4in (sheets)
(all unframed)
(3)
Sold for £100
James Hull (Lots 99-110)
Introduction
Hull aptly summed up his work as ‘a tension of objects in space’. And at his solo ‘come-back’ exhibition at Adrienne Resnick Gallery in 1989 Resnick described him as ‘a giant, both physically and as an artist’.
Hull’s reputation flourished in the 1950s, when he established himself as one of the leading abstract painters of the post-War years in Britain. His first one-man exhibition was at the Brook Street Gallery in 1949 where Herbert Read gave the opening address. In 1951 he designed a mural for the Dome of Discovery at the Festival of Britain and started showing regularly with Gimpel Fils (1951-56). Elsewhere in London he exhibited with the Redfern Gallery and at the ICA and took part in the renowned This is Tomorrow exhibition at the Whitechapel Art Gallery in 1956; the same year Gimpel held a joint exhibition of Hull and Roger Hilton’s work. Abroad he showed with Galerie de France, Paris, Passedoit Gallery, New York (together with Peter Lanyon and William Gear), and at the Carnegie Institute, Pittsburgh.
But in 1960 Hull turned his back on painting full time after winning a competition to design the interior of the Daily Mirror building. He spent the next ten years as a full-time design consultant for the International Publishing Corporation (IPC), before moving with his family to Ibiza where he designed jewellery. After the tragic death of his daughter in a car accident in the early 1970s he left to embark on a solo travel odyssey. Over the next few years he held down a variety of jobs, including as a consultant designer for NASA’s space shuttle building in the USA. Returning to London in 1980 he took up painting once more. It took him a few years to re-establish himself, but by the end of the decade his work was starting to get traction once again, first at the Strickland Gallery in 1986, and then with Adrienne Resnick Gallery and Whitford & Hughes in 1989. His death a year later was all too premature.
99
JAMES HULL (BRITISH 1921-1990)
DESIGN FOR A THEATRE SET; THE PAPS OF JURA; STUDY OF A HOUSE
(i) signed and dated HULL 46 upper right; (ii) signed Hull... lower right; (iii) signed HULL upper left
(i & iii) gouache and pencil; (ii) gouache and wash and pen and ink
(i) 32.5 x 33cm; 12 3/4 x 13in; (ii) 20 x 39cm; 8 x 15 1/4in; (iii) 38.5 x 50cm; 15 x 19 3/4in (sheets)
(all unframed)
(3)
Auction: From the Studio: Works from 15 Artists' Estates, 20th Mar, 2024
Auction to start at 12 noon
Viewing
PUBLIC EXHIBITION
Sunday 17th March 12:00pm - 4:00pm
Monday 18th March 10:00am - 8:00pm
Tuesday 19th March 10:00am - 5:00pm