20th May, 2026 11:00

Live Sale: Indian, Islamic, Himalayan and South-East Asian Art 2026

 
Lot 60
 

60

AN EBONY AND EBONISED ROSEWOOD 'BATAVIAN' CHAIR, INDONESIA, CIRCA 1700

the upright frame with barleytwist legs and crossbars, the back with pierced scrollwork frieze and barleytwist arcading, 96 x 51 x 47cm

Provenance: Collection of Robert Skelton, O.B.E. (1929-2022)

From the second half of the 17th century until well into the 18th century, chairs of this form, many made wholly or partly of ebony, were produced under Dutch influence in Indonesia, The Coromandel Coast (India), Sri Lanka and The Cape (South Africa). It can be difficult to identify in which of these parts of the Dutch colonial world individual examples were made. Robert Skelton himself believed this chair to be from the Cape, and the restraint of the carving is similar to known examples. However, it is also quite close to an example from the Moluccas in the Volkenkundig Museum Nusantara Delft (S00337-4, Eliens 2002, cat.16, p.73). Skelton had another, more elaborate, example in his collection, acquired from an antique dealer in Earl's Court, London in the 1950s, which he subsequently donated to the Victoria and Albert Museum (IS6-2000).

Sold for £400


 

the upright frame with barleytwist legs and crossbars, the back with pierced scrollwork frieze and barleytwist arcading, 96 x 51 x 47cm

Provenance: Collection of Robert Skelton, O.B.E. (1929-2022)

From the second half of the 17th century until well into the 18th century, chairs of this form, many made wholly or partly of ebony, were produced under Dutch influence in Indonesia, The Coromandel Coast (India), Sri Lanka and The Cape (South Africa). It can be difficult to identify in which of these parts of the Dutch colonial world individual examples were made. Robert Skelton himself believed this chair to be from the Cape, and the restraint of the carving is similar to known examples. However, it is also quite close to an example from the Moluccas in the Volkenkundig Museum Nusantara Delft (S00337-4, Eliens 2002, cat.16, p.73). Skelton had another, more elaborate, example in his collection, acquired from an antique dealer in Earl's Court, London in the 1950s, which he subsequently donated to the Victoria and Albert Museum (IS6-2000).

Auction: Live Sale: Indian, Islamic, Himalayan and South-East Asian Art 2026, 20th May, 2026

The sale includes the collection of Robert Skelton OBE, curator of Indian Art at the Victoria and Albert Museum.  It comprises some exquisite 18th and 19th century Indian paintings and drawings as well as a fine group of modern Indian paintings with works by Shiavax Chavda (1914 - 1990), Francis Newton Souza (1924 - 2002), K Laxma Goud (B. 1940) and Jayashree Chakravarty (B. 1956).  Tiles, Indian bronzes, thewa boxes, a silver gilt ewer, a ‘Koftgari’ pen box and a Mughal carved black jade dagger are also among the lots in this collection.

Also in the same sale is 10th -12th century Persian pottery, a monumental pair of 19th century doors, Persian and Syrian ceramics including tiles, also Iznic tiles from Ottoman Anatolia. Other lots include Indian bronze figures, small furniture, textiles and rugs.
 
Auction Location: London, UK
 
PUBLIC EXHIBITION
Sunday 17th May: 12pm to 4pm 
Monday 18th May: 10am to 5:30pm
Tuesday 19th May: 10am to 5pm
 
CONTACT
indianandislamic@olympiaauctions.com  + 44 (0)20 7806 5545
 
 

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PUBLIC EXHIBITION:

Sunday 17th May: 12pm to 4pm 
Monday 18th May: 10am to 5:30pm
Tuesday 19th May: 10am to 5pm

CONTACT
indianandislamic@olympiaauctions.com  + 44 (0)20 7806 5545

View all lots in this sale