1st May, 2024 12:00

Modern and Contemporary African and Middle Eastern Art

 
  Lot 48
 

48

ARDASH KAKAFIAN (IRAQI 1941-1999)

SENSE OF BELONGING
acrylic on canvas, in two parts
184 x 306cm; 72 3/8 x 120 1/2in (framed)

Painted circa 1990


Property of a Private Collector, The Netherlands

Provenance
Collection of the artist
Thence by descent to the present owner

Born in Mosul, Kakafian was the youngest member to be accepted into the Baghdad Modern Art Group and went on to exhibit extensively in both Baghdad and Paris, having studied at the Ecole des Beaux Arts in Paris. His work spanned many genres including expressionism, Chinese inkwork, miniature paintings and political propaganda for which he spent time in prison. Much of his work is influenced by his personal experiences as well as impressionism and al Wasiti miniatures and he is described by Ahmed Morsi as an 'explorer of a self-diaspora' and 'an eloquent mesh of personal architecture and poetry' (Exh. Cat., Washington D.C., Alif Gallery, Ardash, 1986). This work portrays a sense of pain and sadism which is further heightened by the scale of the canvas.

Sold for £13,000


 

SENSE OF BELONGING
acrylic on canvas, in two parts
184 x 306cm; 72 3/8 x 120 1/2in (framed)

Painted circa 1990


Property of a Private Collector, The Netherlands

Provenance
Collection of the artist
Thence by descent to the present owner

Born in Mosul, Kakafian was the youngest member to be accepted into the Baghdad Modern Art Group and went on to exhibit extensively in both Baghdad and Paris, having studied at the Ecole des Beaux Arts in Paris. His work spanned many genres including expressionism, Chinese inkwork, miniature paintings and political propaganda for which he spent time in prison. Much of his work is influenced by his personal experiences as well as impressionism and al Wasiti miniatures and he is described by Ahmed Morsi as an 'explorer of a self-diaspora' and 'an eloquent mesh of personal architecture and poetry' (Exh. Cat., Washington D.C., Alif Gallery, Ardash, 1986). This work portrays a sense of pain and sadism which is further heightened by the scale of the canvas.

Auction: Modern and Contemporary African and Middle Eastern Art, 1st May, 2024

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