A significant portion of Dabdoub’s work was dedicated to the interpretation of folklore and literary tradition, most notably through his depictions of Scheherazade and King Shahryar from the One Thousand and One Nights as depicted in the current lot. In these series, he utilised his signature geometric style to reimagine the power dynamics of the narrative. Rather than relying on literal illustration, Dabdoub distilled these figures into symbolic forms, using layered textures and a controlled palette to evoke the atmosphere of the tales. His portrayal of Scheherazade, in particular, often emphasised a sense of structural grace, positioning her as a central pillar of intelligence and survival.

In his later period, his work moved toward a more minimalist abstraction. He treated the canvas with a tactile sensibility, often employing thick impasto and rhythmic perforations to create surfaces that felt physical and enduring. These compositions moved beyond mere representation, focusing instead on the interplay of light, shadow, and patterned repetition. By the end of his life, Dabdoub had established a visual language that was both highly personal and broadly resonant, securing his legacy as a master of form and a vital contributor to 20th century art.