in ink on paper, a finely executed image of the standing figure in profile, wearing a sword, katar and a feathered turban, image 9.2 x 17.2cm, folio 22 x 34cm, framed and glazed.
The portrait bears particularly close resemblance to two portraits of Prince Dara Shikoh (d. 1659), one of them painted by Chitarman (Falk and Archer 1981, p. 401, no. 71; p. 411, no. 106). The painting has been later mounted into borders and margins from a copy of the Farhang-i Jahangiri, the dictionary of the Persian language prepared for Jahangir in 1608, which is recognisable for its blue or red borders decorated with gold flowers and outer borders illuminated in gold arabesques and animals. This Mughal copy of the Farhang-i Jahangiri was probably split by the dealer Georges Demotte in Paris in the 1920s and remounted around Mughal paintings. Two Mughal paintings mounted within Farhang-i Jahangiri borders and margins were sold at Christies, 25 June 2020, lots 81 and 82.
Sold for £6,000
in ink on paper, a finely executed image of the standing figure in profile, wearing a sword, katar and a feathered turban, image 9.2 x 17.2cm, folio 22 x 34cm, framed and glazed.
The portrait bears particularly close resemblance to two portraits of Prince Dara Shikoh (d. 1659), one of them painted by Chitarman (Falk and Archer 1981, p. 401, no. 71; p. 411, no. 106). The painting has been later mounted into borders and margins from a copy of the Farhang-i Jahangiri, the dictionary of the Persian language prepared for Jahangir in 1608, which is recognisable for its blue or red borders decorated with gold flowers and outer borders illuminated in gold arabesques and animals. This Mughal copy of the Farhang-i Jahangiri was probably split by the dealer Georges Demotte in Paris in the 1920s and remounted around Mughal paintings. Two Mughal paintings mounted within Farhang-i Jahangiri borders and margins were sold at Christies, 25 June 2020, lots 81 and 82.
Auction: Live Sale: Indian, Islamic, Himalayan and South-East Asian Art 2026, 20th May, 2026
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